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May 4th, 2023 at 13:47:15 - Celeste (PC) |
Here I am at the beginning of May, writing about a game I realized I had beaten at the beginning of April, but turns out I had technically beaten toward the end of March. And that’s been more or less the extent of my gaming in the past two months. Work has been…on another level.
Celeste is a 2d platformer in the vein of Super Meat Boy. It’s hard as nails and requires some serious coordination with the controller. Even at the end of the game, I was regularly screwing up the directions of air dashes and the dash-grab button combo. It’s been a while since I played, and what I mainly remember in terms of the platforming is a lot of mid-air movement. I also remember ignoring the strawberries, which are optional challenge collectibles. It turns out that, if you want to complete extra levels, you need to go after collectibles. Finally, I remember that the levels tended to overstay their welcome, by the end taking me two hours to complete.
The character of Madeline, the other characters, and the story were great. I don’t know what I expected, but it was a game about mental health. Madeline is on a journey to climb Celeste mountain, where she has to overcome anxiety and self-doubt. This manifests as another character who torments her, until she learns to accept that part of herself, which ultimately makes her stronger. I found it charming, endearing, heartfelt. Madeline’s struggle against herself reflected my (and her) struggle against the mountain. Despite the difficulty and overly long levels, I think this is a gem.
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Mar 9th, 2023 at 07:43:38 - Deathloop (PC) |
Deathloop is stylish and creative. I've never played anything quite like it, part roguelike, part FPS, part Dishonored. You play as a guy named Colt. Colt is stuck in a loop, a la Russian Doll. When he dies, he wakes up on a beach on an island the next morning. There are four areas of the island, and Colt can visit one each part of the day (morning, noon, evening, and night), for a grand total of 16 permutations of time and place. What happens in one place at one time can affect other places at other times. Colt isn't stuck alone, though. He's part of some experimental utopia with other "Visionaries" who collectively founded this strange place and keep it running. Colt's goal? Kill all the other Visionaries in one day to break the loop and escape. The problem? Figuring out how to manipulate the Visionaries to go to various parts of the island at various times such that Colt can actually perform this feat. Even more complicated is that Colt is constantly harassed and hunted by a woman named Julianne. There's fun story to uncover, and I won't say any more about it!
Moment-to-moment gameplay feels like a more gun-focused Dishonored, but there's larger strategy to it involving the loop. See, when you die or the day resets, you lose your guns, slabs (powers, like in Dishonored), and weapon and personal modifications. You also lose your "Residuum," which is like the substance that makes the loop tick. You use Residuum to "infuse" items and make them permanently available. Found a badass gun? Infuse it so you have it for all loops going forward. If you don't, it's gone on the next loop. There are some fun weapons to find, especially the quest-related ones, like the laser gun that melts enemies or the sniper rifle that blows them up. My favorite gun was a pretty plain silenced SMG. Silence is your friend. I put accuracy modifications on it and could quietly headshot someone as far away as with a regular sniper rifle. By the end, I was also carrying a special sniper rifle with strong zoom and a humongous machine gun that got more accurate the longer I held down the trigger for those up-close-and-personal moments. I used two slabs for most of the game, one that makes you temporarily invisible and another that lets you teleport. Each slab has various modifications as well, but I didn’t bother much with modifications for anything. My third favorite slab was the one that “links” enemies, so what happens to one happens to all nearby. I preferred the stealthy, silent approach in Deathloop.
This is what Deathloop boils down to. Choose where to go at different points of time on the island, infuse items to become more powerful, follow story leads to learn how to kill all the Visionaries in one loop, and eventually break the loop. I was mesmerized by this until I started running out of leads to follow. At some point, there becomes little to do besides follow one or two leads, which means you’ll be skipping through parts of the day, trying and retrying to accomplish one task. For example, the part I died on the most was one part of the island at night when one Visionary throws a party and another attends. The objective is to find a way to identify the host. The party attendees are wearing wolf masks and are indistinguishable from one another, so you have to lure him out. I had already killed him two or three times, but I wasn’t killing him the exact way that the game wanted me to. This resulted in a few hours of me looping just to get to this part of the island at night, playing detective in his mansion trying to figure out what I needed to do, then actually executing the plan. And it turns out this is the ultimate murder in the day. Once you set everything up, there will actually be four Visionaries present on that part of the island at night. Goons everywhere, lots of ways to die. Oh yeah, speaking of death, you can die twice each part of the day and resurrect before the loop resets. This is because Colt has a special slab with this ability. I appreciated this forgiveness.
So, overall, I enjoyed Deathloop, especially its creative take on roguelikes. But, it still didn’t avoid some pitfalls of the genre, which are repetitive runs with no real change in between. Luckily though, the repetitive runs come at the end when you are down to just a couple leads, and they’ll be over quickly enough. I’ll miss hearing Colt and Julianna bicker over walkie talkies; the voice acting and writing were top notch!
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Mar 1st, 2023 at 16:34:41 - Resogun (PC) |
Resogun is an old PS4 launch game, a side-scrolling bullet hell kind of thing. It has the unique twist of being played on...a cylinder. Like, you can move left and right, but it's not across flat space; it's around a cylinder, so the level spins as you move. It's neat.
Anyway, it's real simple, so this will be real short. There are 5 levels, each with three phases ending in a boss fight. Enemies spawn all around the cylinder and try to kill you. You kill them instead and avoid the dozens of bullets they shoot at you. In the story, they're aliens trying to kill humans or something, so you can rescue some humans along the way. Drop them off at special places to get points or shields or some other perk. You can also pick up a few weapon upgrades per level.
You can boost (go really fast and slam through obstacles), set off a bomb (kills everything on screen), or use one other special move (blasts a giant gun). These have limited uses. You also have a set number of lives, and if you lose them, you start the level over. I found Resogun to be fast and fun, with a pumping soundtrack. It also gets really hard by level 5 on normal (I finished the last level on easy), and I can't imagine getting that far on a harder difficulty. It's super short and certainly meant for replayability. But there are more interesting games of this type out there!
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Mar 1st, 2023 at 16:22:36 - The Last of Us Remastered (PS4) |
I embarked on a grand experiment that I stupidly didn't document. I played The Last of Us for the first time as I watched the show, playing the game through the upcoming TV episode, then watching the episode that covered what I just played, then playing the game through the next TV episode, etc. It was a really neat way to experience the story that privileged playing the game over watching the show. I didn't read about either, and was fascinated by how the writers adapted the game for TV, the choices they made to include, remove, and change content. Some episodes were very similar to the game, others had some pretty big differences, and others (episode 3) were almost entirely new. One thing I've noticed is the effort to add more diversity to the show. It spends an entire episode telling a same-sex love story that is barely mentioned in the game. Sam is deaf and ASL is featured. Both homosexuality and deafness are represented very positively, and add unique perspectives to the world. I especially liked the episode with Sam because Ellie jumps right in to learning some ASL as she and Sam befriend one another. Joel's daughter is mixed instead of White and Joel and his brother may be Hispanic (the actors are), but race and ethnicity aren't played up like sexuality and deafness are, I think because there is no "performance" of race or ethnicity here. People just look different. It was still noticeable inclusion.
The show removed what would have been more purely gameplay, nearly all the scenes involving combat or stealth. This makes sense, as watching Joel and Ellie slowly make their way through an infested building for 30 minutes wouldn't make for good TV. But when narrative was embedded in gameplay, removing the more purely gameplay elements also tended to remove or simplify narrative. I'm thinking specifically of the episode that condensed Wyoming and Utah. This was a whole lot of game time in a 60-minute episode! Since they didn't show Ellie stealing the horse from the town in Wyoming, then they couldn't establish the bandit organization there. Joel and Tommy never followed her, never killed a horde of men. No known bandits were therefore looking for them at the university, and when they killed the bandits in the university, there was no bandit organization that was pissed off about it (there were four bandits in the show, but dozens in the game). Therefore, later on, no one came after them because they killed men at the university. Joel and Ellie don't discover the reason why the Fireflies left the university. Another thing that is always neat is when the show uses game dialogue verbatim, and even more neat when it's used verbatim but in a different scene (e.g., "your answer better be the same as your wife's" in the show, but spoken to a bandit in the game, "your answer better be the same as his"). This scene is also an example of Joel being more complex in the show. He's much more violent in the game, and struggles more in the show with age and all the (metaphorical) weight he carries. This makes him more likeable to me. Perhaps my favorite thing that the show changed is actually showing Mortal Kombat II though. That was one of my favorite scenes.
So yeah, I've thought a lot about comparing game and show. How was it to play the game, though? I loved it. 10 years later, the remastered version looks and feels great. It's harder than I thought, a little more emphasis on survival (scavenging and crafting resources), and a main character who is a badass but who is fighting infected that are very much a threat. I died a whole lot. You have basic guns for most of the game, knives that you craft and that have limited durability, and melee weapons like bats, axes, and pipes. You can also craft molotovs and nail bombs, which are very useful, and you can throw bottles and bricks to distract infected. The combat and stealth are straightforward, and I mostly enjoyed them for the tension, because like I said, the infected WILL kill you if you make a wrong move. Human enemies are not nearly as threatening and can be like shooting ducks in a gallery. Joel has some sort of special hearing power that lets him see where enemies are through walls. Using this, you can often stealth through areas without killing many infected. There were also light puzzling areas that generally involve finding boards or ladders to traverse gaps or reach heights. These segments were also, obviously, removed from the show. It is amusing to watch the TV show and imagine, as in the most recent episode, Ellie and Riley searching for boards to place across gaps between roofs instead of just jumping across them.
I'm definitely looking forward to continuing to watch the show, as well as playing The Last of Us 2!
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