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Jan 15th, 2008 at 02:31:54 - Secret of Mana (NES) |
GAMEPLAY:
After progressing through a simple dungeon layout I reached a witch who teleports Dyluck, the man Purim is searching for, and proceed to fight a giant tiger that she summons. The great thing about boss fights in this game is thinking of the best strategy. However without spells this weapon combat is still lacking. Once again the 16-bit boss music was superb, they just don't make it like they used to. After about 5 deaths to this boss my friend and I proceeded to get a whip weapon and a boomerang ore from the witch. Perhaps the most interesting thing was the reason she was helping Thanatos. She explains that there is no more 'herb' in the forest and Thanatos was willing to get her some for helping him. Secret of Mana lack of plot is made up for by making dialogue ridiculous. After the witch's herb speech she turned me towards the Water Palace. Surprise, another boss. I hope you saved and bought items immediately after the Tiger boss or you will most likely get frustrated and stop playing for a while. The Water Palace lizard boss can eat you, but while he is chewing on one of your players the lizard is vulnerable to charged weapons since he has no ability to interrupt your attack animation. After beating this boss I finally got spells and was fulfilled with the battle system. Only the sprite and princess can cast spells. The sprites are offensive (which makes up for his lack of physical prowess) and the princesses are defenses (which makes her extremely overpowered since she has both healing spells and very good weapon strength).
DESIGN:
Overall this game is appropriately one of the greatest SNES games of all time. First of all, the battle system is simple yet variable enough for it to be engaging. Energy, charging weapons, different weapons, spells, teammates are all pieces of the battle system that make battles very interesting and fun. Weapons are the only thing that changes as you get stronger, the more you upgrade your weapons the cooler they look. It is always nice to see your characters become more powerful and have their appearance reflect that. Level schemes are simplistic and become more maze-like as you progress. The only puzzles require puzzles, spell casting, or using weapons (swords and axes for cutting grass and rocks, and whips for jumping across ravines) which can be boring. Music and sound effects are key elements that make this game great. Even though all the music is simplistic 16-bit productions they are all very important to the ambiance of the game. Boss fights are perhaps the most fun piece of this game. Since they can have more than one attack and/or different 'phases' these fights challenge the player to decide how to combat these different aspects and appropriately allocate you mana for spells and items for recovery. Two big turn-offs for this game are the plot and the game resets. There is close to no plot and only cursory character development. Evil guys want to do evil things to the Tree of Mana. Save the cheerleader, save the world type stuff. Talking to characters is only used to point your characters in the right directions, they have no emotions and no goals except for the rare occurrence of a key character. Also if your party 'wipes' then you can't just reset the room you were in. The game simply resets if you all die. Saving frequently is a must due to the games difficulty.
Exploration is another excellent element of the game play. Once you get your dragon that enables you to explore any area on the map you can try to find secret areas for greater rewards such as weapon ore, gold, or items. These areas add that extra bit of whimsy that make an old school RPG a classic. All and all there are plenty of elements that make this game entertaining from start to finish if you can put up with 16-bit games.
This entry has been edited 2 times. It was last edited on Jan 15th, 2008 at 03:10:12.
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Jan 14th, 2008 at 17:47:30 - Secret of Mana (NES) |
Summary:
The game starts by introducing the overarching history of Thanatos, some Lich King of the past who was sealed away before destroying the Tree of Mana by a warrior who wielded the Sword of Mana. Then begins an intro with the main character, Randi (in the game the name is ambiguous since you get to choose it), who is paying on a tree bridge above a waterfall. Randi falls to discover the Sword of Mana and pulls it out. This causes hordes of monsters to attack to village as they are no longer protected by the sword. After you are exiled from your village you soon encounter the two other playable characters, Purin, a princess in search of her friend Dyluck, and Popoi, a sprite who follows you for what seems like no reason at all. All along the way you vanquish minions of The Empire or Thanatos. Then you finally destroy Thanatos, save the world, and return the Sword of Mana. Oh ya, and the Purin becomes a tree... it's complicated.
Gameplay:
Typical of games in its time, you begin by fighting easy mobs to help you get into the swing of the game. Fortunately, this is not drawn out any more than it needs to be, and you are soon inside the first town. Typical uninteresting 'clone' NPCs greet you and direct you to the 'elder' where you see brief dialog before a pit envelopes you. Surprise! Ten minutes into the game and you're already fighting a boss and, while challenging, is easy to defeat since you are given infinite resurrections. The only problem is for the next hour you only can rely on weapon based combat since you have not made a pact with any of the elementals and thus have no spells. Enemies are free roaming within their given area, and respawn upon returning to their area. To attack them you can just bash the A button. But wait, under your character's health is a bar that has a percent inside it. One swing reduces you 100% weapon damage to 0%. It is better to swing then back up you while your 'energy' recharges than to run in swinging. When an enemy is hit by a weapon they will recoil for a second during which you can hit them and they will still receive damage and continue to be stunned, if you are doing this your weapon damage will be at 0% thus accomplishing nothing. This is where your companions come in handy, they can continue to hit the enemy for damage while it is stunned (you can cycle between the three main characters or have a second player control one). Enemies are invincible while performing their recovery animation which can cause the game to appear laggy or 'broken' at times, learning the best time to attack is key. The other way to lose energy is to run, this is usually not an issue in combat since your energy recovers fairly fast. For the first hour or so these are the only things at your disposal.
After accumulating experience by fighting enemies my characters have 'leveled' and are more powerful. You can check out your stats, but in reality you can only directly impact two of them. Attack power, depending on which weapon you equip, and defense, depending on which armor you buy and equip. Unlike most RPGs you don't buy your weapons, you upgrade them with ore and money. Ore you get through events and bosses and money you get from normal monsters and treasure chests. The more you upgrade you weapons, the higher weapon rank each character can achieve. Higher weapon ranks enable you to 'charge' your weapon. While 'charging' your movement is slowed 50%. With each completed charge bar, unleashing you weapon will do more damage. Learning to balancing time consuming 'charging' and normal 100% hits becomes the main challenge of the game. The other challenge at this early stage is staying alive. You have no healing spells and can only carry 4 of each item. This causes the game to become very frustrating. One team 'wipe' will reset the game, making saving an addiction. Without spells and few chargeable weapons this combat is fun but lacking. By far the most memorable aspect thus far is the music played in the dwarven town. My friend and I would find ourselves going out of the way to go back to the dwarven town to save and buy items rather than using a closer town. Some of the best 16-bit music in any game of its era.
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