Blogging the experience of gameplayhttp://www.gamelog.cl/gamers/GamerPage.php?idgamer=http://www.gamelog.cl/logs/LogPage.php?Log_Id=7848This is the nth Ratchet & Clank game and the third one I’ve played. I don’t really remember the other two, but they were like 10-15 years ago. I honestly don’t have a whole lot to say about it. It’s fun. It’s cartoony and arcadey. It’s pretty easy. It’s colorful and loud and has creative art. My favorite part is using all the different guns and trying to level them all up. There’s a mushroom bomb that spawns mushrooms that attack enemies, another bomb that spawns little robot dudes that attack enemies, a “topiary grenade” that spawns a sprinkler that turns enemies into shrubbery (funny), which freezes them in place and makes them vulnerable. There is a ricochet gun that you fire, then press R1 a bunch to bounce the bullet at the enemy. There’s a gun that freezes enemies in blocks of ice, which you can smash with your wrench. There are all the standard guns you expect (pistol, shotgun, rocket launcher, sniper, etc.). There is a gun that shoots dogs at your enemies. It's wild. The coolest thing aside from the guns is the rifts. You find these purple crystals that will switch dimensions so that you can explore two versions of many areas. There are other rifts that you can use to traverse larger distances quickly, and others you can open to find secrets in hidden sections of the world. It’s neat to find areas within areas and to see the contrast between wherever you are and some ruined version of it. After not too long though I quit exploring these so that I could get on with the story. Whatever collectibles you find in the rifts (or anywhere else for that matter) aren’t that useful because, as I said, it’s an easy game. There are golden screws (no purpose as far as I can tell except to find them), armor pieces that do give stacking bonuses, spybots that are like encyclopedia entries for lore, and so on. The most useful thing you’ll find when poking around is definitely the crystals that let you upgrade weapons. Those purple crystals and rifts are related to the story, which is good enough to drive the action along. The big bad guy is upset that his plans are always being ruined, so he travels to an alternate dimension where another version of him rules the galaxy (and then you follow him there and ruin both of their plans, of course). There are the Clank puzzles again, and they are neat, but simple, and reminded me of the game Humanity because he has to route clones of himself to an exit. There are also little action shooter areas for a new character (because Ratchet has an alternate dimension person too). So yeah, fun, but probably will not remember! Oh yeah, the PS5 controller has a super cool feature (aside from tons of varied pulsing, vibrating, audio effects, etc.) where you can, depending on the context, pull a trigger halfway for an effect and pull it the whole way down for a different effect. For example, hold L2 to aim and hold R1 halfway to shoot a gun in its slow and accurate mode, or hold R2 all the way down to change to machine gun fire. Returnal was doing this too, but I haven’t played much of it. Ratchet & Clank used it all the time for a lot of guns. This controller is awesome! dkirschnerFri, 17 Jan 2025 12:26:21 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7848&iddiary=13358http://www.gamelog.cl/logs/LogPage.php?Log_Id=7853Been playing this with Patrick, but we called it quits last night. I'd never heard of it when he pitched playing it. He likes to dig up old Xbox games. This one is from 2015 and is like a survival horror game. It's pretty basic and reminds me of several other games, but doesn't do any of its elements as good as they do. The premise is that you're on a ship. Y'all have found something. Now the "something" y'all found (monsters, I guess) are killing everyone aboard. You need to escape. That is all. The story and setting reminded me of Still Wakes the Deep. There are three monsters, and you'll get one of them randomly each time you play. There seem to be a few randomized starting locations on the ship. So, you start, pick up a fuse and a flashlight (always in the first room), and head off wandering through the ship to find materials to get off board. We found a life raft, a submarine, and a helicopter, but never got everything we needed to get any of them working. The monster always kills us before we get too far. All three monsters act the same, as far as we can tell. They regularly appear if you make noise (run, or a security camera spots you and sounds an alarm, slam doors). Usually you can hear them stomping around or breathing, but several times we turned a corner and there one was, quietly there to kill us. The ship looks really dull, the environments are not interesting at all, I didn't find the gameplay to be much fun. The one thing that was fun was watching Patrick jump and scream when a monster would appear from nowhere and kill him. To Monstrum's credit, it produces some good jump scares and some tense moments before your inevitable death. But these "hunter" monsters reminded me of the alien in Alien: Isolation. Not a fraction of the intelligence, so I never felt "stalked." I never felt that I could outwit the monsters. They are big dumb things that you avoid. And the "escape" goal reminded me of something like Friday the 13th, where you are trying to survive a rampaging Jason and find the keys and gasoline for a car so you can drive away. So, Monstrum is a hard pass, but it's got me wanting to revisit the games I've played that have some similar elements. dkirschnerWed, 15 Jan 2025 14:06:52 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7853&iddiary=13357http://www.gamelog.cl/logs/LogPage.php?Log_Id=7851Finished this on Saturday. I really liked most aspects of the game, but the story lost me by the end. I was reading online to gain a clearer understanding of the details surrounding the woman at the end, and saw all kinds of stuff about the CIA and nuclear weapons that I had no clue about. Apparently there was an ARG where devoted gaming sleuths were decoding hidden clues, editing game files, and so on to gain more information about Inscryption (the disk in the game). There is a surface-level story within Inscryption, and I followed that, and then there is the second layer with Luke and what he's up to outside of Inscryption, which I pretty much followed, and then there is the third layer which involves all the clues. I saw some of the clues while playing, and clocked them as potentially important, but in no universe would I have known what to do with them. There are crossovers between Inscryption and Pony Island and all sorts of stuff. This is all novel dressing around a good card game. It's simple, not necessarily in terms of mechanics, but in terms of scope. The board, for example, is either 2x4 or 2x5 depending on where you are in the game. So you are only dealing with up to 5 cards on your side of the board at any given time. On the opponents' side, you can see cards that are going to come into play on their next turn, so not only is it like 2x5, but you can see a third row of cards that are coming. Your main deck is only 20 cards, and you'll have multiple copies of most cards. You also have a secondary deck full of identical 0-cost cards that you can either toss on the board to take a hit and die or sacrifice to play more powerful cards. You can only draw one card (total, not from each deck!) each round, so your hand is also usually tiny. Opponents seem to have even more limited decks (and ran out of cards earlier in the game). Number values are also small. I think the most damage any card ever did at once was like 7 (except cards with the Bifurcated Strike or Trifurcated Strike abilities, which do their damage multiple times). Each match ends when either player tips a scale that has 10 points. It starts in the middle (at 0), and you need to tip it to 5, while your opponent is trying to tip it to -5. This means that if it's in the middle and you deal 7 damage, you win and then some. The scale can swing wildly as new cards attack; it keeps you on your toes to have such a narrow window in which to win. You could have the scale at 3, but made a poor play, and the enemy hits you for 8 (which tips the scale to -5) and you lose. Matches can end really quickly. A large part of the game is countering the cards that your observe your opponent about to play. "A good defense is the best offense" applies here. You will have many defensive type cards with 0 or low attack, but that may serve other purposes if they have certain abilities or synergies. In the last act of the game (it's split into 3 acts), you actually get to buff your basic defense cards and they become extremely valuable. They're not only defense cards; they're also sacrifices. Most cards cost some resource to play, and often the resource is "blood," which you get by sacrificing one of your own cards. So, you might play a 0 attack 2 hp card, let it take a hit (and prevent you from taking a direct attack), then sacrifice it to play a stronger card that costs 2 blood. There is a 7/7 card that costs 4 blood. Given that there are often 4 spaces on your row on the board, that means that you must sacrifice everything on the board (usually it's one blood per card) and go all in to play the 7/7. But since you attack immediately and you can see what cards are coming from the opponent, then you can always get 7 damage in if you directly attack the opponent with that card. There are a wide variety of abilities and resources that allow for different strategies and play styles. Some other of my favorite abilities were snipe (lets you target any card on the board instead of attacking the space in front of the card like normal), poison (kills any card it touches, pairs great with a 1-damage snipe, which just insta-kills anything), and sentry (which attacks any card that enters the space in front of it, and since many cards only have 1 or 2 hp, this will insta-kill or kill on the next turn a whole lot of cards). Since Inscryption is a roguelike card builder, and you build your deck as you go, you don't always know which cards are going to become your superstars or what strategies you will be able to employ. As you proceed (in act 1 through a sort of dungeon mastered roguelike scenario, in act 2 through an SNES-era JRPG style world, and in act 3 through a maze), you will get the chance to do all sorts of random-ish things to your cards: add stats, add abilities, sacrifice cards, merge cards, etc., etc. I think that it was this sense of "I have no clue what my deck is going to look like" that may have been my favorite thing about the game. It was constantly surprising me with new mechanics, new resources, a new style, a new weird story beat, new cards, new ways to enhance my cards, new puzzles, and on and on. And the whole thing is tinged with a mysterious, borderline horror game, tone. Like, it is extremely compelling, and in a way that is unusual for a roguelike. Most roguelikes, for me, are "just one more run" kinds of games. Inscryption isn't typical in this sense, as it's only in the first act where you are doing standard "runs." Incidentally, I died the most in the first act and tried it a few times before beating it (and upon each death, you get some stronger cards and may be able to solve some additional puzzles or get additional items to help you out). But Inscryption kept me going because I never knew how things would shake out. The cards also have a lot of personality (not least because a few of them talk to you). Anyway, I've talked to a few people about this since playing, and piqued the interest of someone who really likes Slay the Spire and Balatro. I wish the story was easier to make sense of, though I appreciate the effort that went into the complicated presentation and am glad this exists for people who like to dig into clues like that and discover something. It was a really intriguing experience to play this one, definitely will remember it!dkirschnerWed, 15 Jan 2025 13:47:48 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7851&iddiary=13356http://www.gamelog.cl/logs/LogPage.php?Log_Id=7841Retiring this one. It's a cartoony tower defense game about monkeys and balloons. I gather that it's been around a long time, it's heavily monetized like a mobile game, and so there is tons of content. I played a handful of rounds, tried many of the different settings and challenges and whatnot. I'm not sure what I thought it would be like...less of a mobile game, I suppose. There are dozens and dozens of monkeys, heroes, upgrades, abilities, balloons, etc., etc. It's overwhelming, grindy, and not my cup of tea for tower defense. dkirschnerFri, 10 Jan 2025 11:08:48 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7841&iddiary=13355http://www.gamelog.cl/logs/LogPage.php?Log_Id=7844Cult of the Lamb makes being a demonic cult leader adorable. The game is a hybrid of a farming village sim and a roguelike (very much in the style of The Binding of Isaac, with Slay the Spire style paths to choose in dungeons [aka “crusades”]), and it works really well. Basically, upgrades from running your cult provide you with stronger weapons and better resources in crusades, and completing crusades provides you with resources for improving your cult. There are four crusade areas, each of which must be completed four times to get to the boss at the end. Defeat those bosses, and you will fight the game’s main boss. And your cult has a predefined area in which to expand and exist. Indoctrinate followers, keep them faithful, fed, and healthy. The combat in the crusades is fun, but nothing you haven’t seen before. There are a handful of weapon types, some weapon attributes (lifesteal, crit chance, etc.), you get a heavy attack, a magic curse attack (depending on what items you find), and like a special single-use relic. And you can find tarot cards, which give you buffs during your run. A handful of times, I got some “broke the game” style builds, such as a vampiric axe and huge boosts to attack speed and movement speed. Later on, you add the blunderbuss to your arsenal, which is basically an insta-win if you get one (bonus if it has useful stats). Crusades are not necessarily easy though; enemies tend to be fast and there’s a lot going on in the small play areas, especially when rocks and other junk gets in your way (step one of a busy screen is smash all the stuff that obscures your vision or impedes movement!). Boss battles are intense; one time I beat a boss with half a heart left. I didn’t get touched for the last half of the battle, and my knuckles were white from gripping the controller and focusing so hard. Other times, I unloaded on bosses and killed them in 30 seconds without taking damage. The cult management part is the novel piece for me though. I don’t play sims much, don’t really enjoy them, but this is pretty light. Through spending “devotion” and a couple other currencies, you unlock buildings and rituals. You’ll need beds for everyone to sleep (or else they’ll be too tired to work and pray), an outhouse (so you don’t have to run around cleaning up poop), space for crops to grow food (lest your followers starve), buildings to help harvest wood and stone, a pillory, a morgue for the corpses that will pile up (followers die of disease and old age), and on and on and on. Why a pillory? Well, sometimes a follower will dissent and begin speaking ill of you; they’ll lose the faith and infect others with their lies. You can “re-educate” dissenters once per in-game day, which decreases their dissent level. But eventually, they’ll leave your cult, perhaps stealing some gold or persuading another follower to come with them. I figured out that if you jail them, they can’t preach heresy to others, re-education works better, and eventually they won’t be dissenters anymore and you can let them back out. You’ll manage hunger, sleep, health, dissent, faith, and maybe one or two other things from time to time. Faith is a really important one. Your followers’ faith levels will decrease over time. You have to preach sermons and perform rituals to keep the flock in check. You can preach one sermon per day and perform rituals on cooldowns. Rituals might involve sacrificing followers, dancing around a bonfire late into the night, mass brainwashing, throwing a feast, and so on. Some rituals you have to choose among when you declare a “doctrine.” So for example, regarding the feast, you could have chose to learn the feasting ritual, which restores faith and hunger, or the fasting ritual, after which followers will not need to eat for three days. If you learn one, you cannot learn the other, and there are like 30 such doctrinal choices to make, which generally differentiate you being a “nice” cult leader or a “mean” cult leader. It's fun to try and keep all these levels in balance. Time continues when you’re on a crusade, so you also have to consider faith, hunger, and cleanliness while you are crusading. You will sometimes want to leave early to deal with a problem. There are also other areas of the overworld map with other characters and activities, such as a place to go fishing (for a quest, and to dredge up fish to feed followers), a place to play a dice game (for coin), and some others. These are cute little diversions to indulge in, often if you’re waiting for daytime to deliver one more sermon to get your followers’ faith up before embarking on another crusade. Cult of the Lamb does flirt with being repetitive, especially the crusades. The areas are gatekept by requiring you to have a certain number of followers. Having to clear each crusade area at least four times is a little annoying, but usually by the time you’re tired of crusading, you’re back doing cult management, and by the time you’re growing bored of doing cult management, you’re on another crusade. It’s a nice back and forth. I do gather that, by this point in the game’s life, the developers have released various updates, which have made the game more complex, such as adding “sin” as a resource, which I didn’t really bother with. Overall, this was a fun, cute, chill, novel experience of a genre hybrid that I hadn’t played before. dkirschnerSun, 05 Jan 2025 09:13:12 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7844&iddiary=13354http://www.gamelog.cl/logs/LogPage.php?Log_Id=7842This is a great reboot of the series, featuring Kratos and his son, Atreus. They took a little while to grow on me, but as the story gets going, I really enjoyed the contrast between the two of them. Kratos is Kratos—terse, no-nonsense, disciplined. Atreus is a kid. He starts off sort of mopey and whiney, but comes into his own as he becomes a capable warrior (though briefly becomes an immature jerk during his development). They also represent two kinds of gamer: Kratos wants to get straight to the point. Don’t help anyone, follow the objectives, let’s get this shit over with. Atreus wants to help everyone, explore, talk. I see gamer-David in both characters when they talk about what we should do next. Gamer Atreus-David does like to explore when the world is interesting, talk to everyone when the dialogue is good, and help everyone when the quests are fun and unique. Gamer Kratos-David likes to get to the point when these conditions aren’t met, but also feels the pressure to get to the point when he has signed up for a month of Playstation Plus and has six or seven games to get through. Luckily, this game has all those positive qualities and my Atreus side is more in charge. It was cool to see both characters grow. Kratos isn’t a rage-filled monster anymore, and by the end he’s down to explore and help other characters too, or at least supports those qualities in Atreus. There is another dyadic relationship in the game where two characters have strife, but then grow and resolve it. I didn’t expect the blue dwarven blacksmith in the beginning of the game to be an important character, but I ended up really liking him and his brother too. There are a lot of things to talk about with God of War; it’s far bigger than I remember previous games being. It’s a bit open-world-ish. There are 9 realms, 6 of which are visitable, and one of which is the main “hub” that is explorable (the others are for story paths or optional with trials for gear). Midgard (the hub) is organized around a lake. You can paddle around the lake docking at beaches. I loved the anticipation of what I would find in each place. Sometimes there were rift tears (challenging battles with good rewards); other times there were devious puzzles where I had to put to use various abilities; or runes that Atreus could find and interpret; or a treasure map; or a mysterious locked mirror-door; or some construction of the gods, giants, or Valkyries; or a shipwreck with a vengeful ghost for a quest; or a canyon with a large area full of secrets on the other side; and so on. Going off the main story path was perhaps my favorite thing. The exploration is classic God of War, gated by progression items that you receive through the plot. You’ll dock on a beach early in the game and see chests covered in red vines, a green energy orb hanging from a rope, poison gas covering an area, and think, “What the hell is all this?!” Come back when you get the items that can get you past all that stuff. This exploration gating actually feels pretty natural. The example I gave is a rare one; you won’t go many places where you can’t explore anything or open any chests. Usually, you can do everything there, like, it doesn’t let you go there until you at least have most of the exploration items. There are two (?) points in the game where the water level of the lake lowers and reveals more beaches, which makes for some interesting semi-backtracking (row back around the lake, but there are new beaches, and you’ll have new items for old beaches). A special shout-out to the puzzles in God of War. They are so good, often relying on perspective and a clever use of multiple abilities to solve. I can’t tell you how many times I walked through an area three or four times and noticed a new item or chest or lock every time I walked through. Or how many times I thought that I couldn’t solve a puzzle yet, only to end up 15 minutes later having figured it out. I remember one island with a chest locked by three runes (those chests have health and rage upgrades, which are very useful). In this case, you had to throw your axe at all three runes in quick succession, but one of them was behind a gate. I could open the gate, but only from the other side, which meant I couldn’t throw my axe at all the runes. I couldn’t figure it out. Elsewhere on the island was a gear covered in vines, and I didn’t know what that gear did or how to get the vines off. Usually, there will be a red crystal that you can explode, but I didn’t see one. So, like 30 minutes later, I’m on a nearby island, and I happen to look across the lake and see a red crystal shining on the side of a cliff amidst some vines. I hadn’t noticed the crystal earlier, even though I’d run by that cliff on the beach several times. So, I went back to the island and exploded the crystal, which removed the vines from the gear. I turned the gear, which cranked a water wheel at the back of the island. The water wheel had some rungs missing. Ah! There was a second beach at the back of the island and I didn’t know why they put that there because it didn’t lead anywhere different than the other beach I’d docked at. Turn the water wheel so that the broken rungs are level with the lake. Paddle your canoe through the water wheel (previously blocked before turning the gear just right), land your boat at the back beach, and then you can manipulate the gate from the correct side and shoot all three runes to get the chest. Yeah, the exploration and puzzles were absolutely my favorite part of the game. It’s God of War, so there’s violent combat too. I have less to say about this. It was fun, fast, kind of button-mashy in a Devil May Cry way, but more precise than that. You have an axe that you can use as a melee and thrown weapon. There are entire move sets for both. Later, you get Kratos’s signature chains, and there’s a whole move set for those. Then you have Atreus, who uses a bow, and you can give him commands to shoot arrows, which can impart status effects on enemies and distract them. You can also use runic abilities. I really liked the axe and the strategy involved in using it in multiple ways. When you throw it, you actually have to recall it, which is its own skill. If you’ve thrown the axe, then you fight with your shield and bare hands. Recalling the axe can hit enemies and lead into combos. It’s all very smooth. My only gripe is that sometimes there could be too much going on on the screen, enemies on all sides of Kratos, and it could be hard to see, maneuver, and respond to what was going on. Combat is nice and challenging though, and there are a lot of optional hard fights, especially with the Valkyries. I killed three of them, and probably sunk 20 or 30 minutes into learning each one. I don’t know what my favorite fight of the whole game was. Probably the dragon, Hraezlyr. That was badass. Toward the end of the game, I was very powerful. I’d acquired every skill, upgraded most of my gear to max (though I didn’t have all the best optional gear), and had a ton of extra experience and hacksilver (money). There are some optional realms you can unlock and visit for even better gear, though I’m not sure what you need it for. I imagine there are some even harder Valkyries or something (maybe I killed the easier ones?). Anyway, I stumbled on this awesome combo that could devastate most tough enemies. I could drain a Valkyrie to half HP before the fight even started. Step 1: use the runic ability that is like a sustained laser. Step 1.5: use Atreus’s summon crow ability, and from here on out have him fire shock arrows on cooldown. Step 2: Trigger Spartan Rage and, if you time it just right, you can hurl four giant boulders. Step 3: Use the item that freezes time. Step 4: Use the runic ability that imbues your axe with tons of extra frost damage. Step 5: Go to town on the enemy while time is stopped. At this point, they will get away from you, if they haven’t already, but the laser and Atreus’s summon are probably just about off cooldown again, so you can use those real soon. This combo absolutely wrecks enemies. I loved figuring it out. I’m really looking forward to playing Ragnarok. Now that I have a PS5 (God of War was my first game on the PS5!! Technically a PS4 game played with backwards compatibility but still counts), I can purchase new games that my laptop won’t run well. I can play Ragnarok, Black Myth Wukong and whatever other AAA games have come out in the past couple years. God of War looked amazing on the PS5. I cannot wait to see how great real PS5 games look. dkirschnerFri, 03 Jan 2025 09:31:53 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7842&iddiary=13353http://www.gamelog.cl/logs/LogPage.php?Log_Id=7820Finished! First I got the bad ending - I had to fight and then I took the place of the previous fox, trapped in the org or whatever. But, I was informed that I was only missing two pages and did I want to, sort of, try it again. So I went "yes", easily found a page that was right there (and only now available to me due to the dash/teleport ability). One page missing! I assumed it was behind the gigantic door...and, knowing that it would involve a puzzle similar to the ones for finding the fairies (basically doing a long sequence on the d-pad) I opted for just looking up the solution, and yes, it was REALLY long, and there was the last page! I was not looking forward to the final fight again, but - suprise! Instead of a fight little fox just handed over the manual...stuff happens and you get the good ending where the cycle is broken and the end cut-scene credits have both foxes hanging out together. Now, there's a lot more to do still - if I wanted to - like finding the other fairies and there's some secret treasures... but, to be honest, I'm done. I did really enjoy the sense of wonder and discovery this game has, I don't want it to devolve into obscure puzzle solving nonsense...what I liked most about the discovery is that it felt natural and reward of curiosity (I wonder if..oh there is a door! sort of moments).jpThu, 02 Jan 2025 13:08:10 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7820&iddiary=13352http://www.gamelog.cl/logs/LogPage.php?Log_Id=7846Played this co-op, on regular difficulty, and wow. This is SUPER hard. Lol. As in, I would have spent A LOT Of money to get to the end had I played it in an arcade. But, it is fun, and there's some neat crazy enemy designs and stuff going on... but, the game felt a bit too shallow? Like, it's just hard - and the character art is neat and all..but what else? I mean, we finished it maybe an hour and...there didn't seem to be much else in the game. So, I was feeling a bit disappointed. Also, we only unlocked a single trophy which felt strange. So, I looked at the trophy list - and there were a bunch of them, one for each character, related to some sort of special move - and I thought, what special move? So, into the controls screen I go...and whoah - there's a special move. Each character has a different one, and I can't say I know how they all work because some seemed useless - but there's a few that now make more sense in terms of the game's difficulty. One of the characters can grab soldiers and just fling them (this kills them) - and you can do this regardless of how tough they are (so, shield guys, guys with heavy weapons, etc.). Another character has a "defuse enemy attack" which includes bombs and grenades and things (not sure about lasers). So, this makes the characters a lot more interesting and the game (a bit) easier in that you have more at your hands to succeed - but, the special isn't the best answer and while it's not hard to do (it's a press three buttons at the same time combo), it's a bit awkward. So, I'm feeling a bit better about the game...and I'm still looking at the trophy list and I see one for rescuing all the POWs in a mission. Easy enough I think! So I open up mission 1 and...I only get to 50%! What? Then, on a 2nd run, I fall down into a hole by mistake and it turns out it was NOT a hole...but an alternate route...with a few more POWs! Huh! But, I'm only getting to 78%...where are all the other POWs? It turns out there's secret hidden POWs as well...and thanks to a guide I was able to get them out.. So, I spent a few hours playing around with the characters, trying out the special move, and playing the same mission over and over. Fun? Yes. Not sure if I'll play more though...jpThu, 02 Jan 2025 12:18:57 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7846&iddiary=13351http://www.gamelog.cl/logs/LogPage.php?Log_Id=7843Finished it! And yes, it does not disappoint with additional inventive and silly and creative levels. There's one that's an escape room! Little puzzles that must be solved while also doing the DDR thing in between.... I am so glad I played this, and yes - it's rough and lacks polish in lots of areas. BUT, it makes up for it in creativity and silliness and creativity.jpWed, 01 Jan 2025 14:19:59 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7843&iddiary=13350http://www.gamelog.cl/logs/LogPage.php?Log_Id=7843Picked this up for the holidays because it's couch co-op and seemed really odd. And it is! But in a good way. I can only describe it as a weird combination of DDR and Overcooked. But, it's also has some easy/loose adventure game vibes as you wander around different locations picking stuff up, and so on. But, it's mostly the rhythm action scenarios that are the "thing" that makes this game shine in its own weird way. The Overcooked angle comes in because the DDR thing is a part of the game world and you need to stand on a special spot to "play" the rhythm action and, depending on the scenario, you or your partner(s) or everyone might need to leave the DDR spot to take care of stuff in the rest of the area. This might be picking up objects and delivering them to some other place in the area (all single screen with no scrolling, btw), shooting things with a fixed placement laser gun, fending off weird plant guys, etc. There's even one mission where you must alternate between two rhythm action games - on one you shoot a monster and on the other you repair your ship...here the premise is that your characters (in the game) are playing a videogame...it's all very meta and strange. My favorite so far, just because it was so funny - was a mission in which the DDR tracks come done regularly, but the "board" they're on starts to rotate! And it gets going really fast, back and forth, in one direction, changing directions, and it made the DDR matching part super tricky and braintwisty and laugh out loud funny because it looked so ridiculous.jpFri, 27 Dec 2024 15:54:24 UTChttp://www.gamelog.cl/logs/LogPage.php?Log_Id=7843&iddiary=13349