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Dishonored 2 (PS4) by jp (Aug 29th, 2026 at 12:35:25) |
Finished the Dust District - and yes, it took me a while because I discovered a (to me) fun new ending. Since I've been trying to play non-violently, I've been focused on trying NOT to kill the main characters - just render them unconscious.
The setup for the Dust District is that your trying to get into this house with a crazy puzzle lock. There are two factions in the area and if you deliver the leader of one to the other, the other will help you out. Well, I solved the puzzle - so I could have moved on to the house, but I thought I'd take out both leaders! And then I came upon this additional plot to send some people hidden in these crates - and I got a new objective, pack up the leaders of each faction instead! I thought this was pretty fun and funny...so I did that.
Now, this area wasn't small - and I was taking a long time, but it turns out the house is another level entirely! So, not like the Clockwork mansion where you make your way through other parts of the city with the mansion at the end. Here, the house is another level entirely.
I'll see if I can finish that one some time soonish!
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Smashing Bottles (PC) by jp (Aug 29th, 2026 at 12:30:49) |
I've really been enjoying this - I had even played the demo (finished it, in the sense of unlocking everything there was to see, unless there was some secret stuff?). It's basically an idle game about smashing bottles...so, lots of chaos on the screen.
What I've found most interesting are two things:
a. There are two ways to play the game, and they're interleaved to an extent. There's an "active" mode - where you do smashing until a timer runs out, then spend what you earned on upgrades, rinse and repeat. The other mode is a more standard idle mode, where most of the smashin is automatic and you sort of let it run and buy upgrades as they become available. However, the upgrade tree in the idle mode has elements you need to unlock in the active mode, which I thought was kind of interesting.
b. Most idle games have a meta loop that's the "prestige reset" - for some games, it's a way to extend the gameplay experience. In my mind, when it takes a really long time to get to the prestige update, then it's sort of like "you beat the game but can continue playing if you want". But this game has a really tight/short prestige upgrade loop - so, you do it a lot and it helps charge up the regular update loop. This felt new/fresh to me, and it was fun to have toflip between upgrading on the regular tree and deciding when to reset and upgrade the prestige side of things.
At this point I'm in the final final(?) grind - which feels a lot longer than everything else so far, but we'll see. I'm not expecting much more from this point, so I might just bail? I mean, I think I've seen what's most interesting about this design...
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Routine (PC) by dkirschner (Aug 25th, 2026 at 20:04:54) |
This game nails the claustrophobic space station genre in terms of atmosphere. It’s in the vein of Dead Space, Observation, Deliver Us the Moon, etc. A good, tense space station mystery. The game looks great and has a visual style meant to effect like a 1970s/1980s analog vibe. It feels very “manual,” if that makes sense. You run around with your scanner tool, find and load modules into the tool, select modules, and use the tool to interact with the environment. You manually switch modules (no pressing “1” to switch). You actually need to bring up the scanner tool, click around to open/close/activate whatever module you need, aim the scanner tool at whatever you need to interact with, and interact. So, when you quickly need to disable a hostile robot, you aren’t going to quickly switch modules and disable it. You go through the whole manual process, and that robot can very well kill you in the meantime. You also manually interact with computer terminals, actually moving an on-screen cursor to click on emails and whatnot, and some other objects too.
The game is split into six chapters, but it feels almost like two similar games. The first half is more Observation—rogue computer system, killer robots, etc. This will feel more standard to players. The second half veers into more alien sci-fi/horror territory, and the gameplay accordingly becomes both more tense and frustrating. Both halves are plagued by shitty stalking/roaming enemies that can be extremely irritating (especially those in the second half). In both halves, you explore a lot, walking around looking for new places to go, looking for a specific place you’ve been (a locked door, a terminal with a keycode), scrutinizing the environment for clues. These two halves are also linked by the narrative, but the story is…forgettable? I mean, it’s weird and kind of interesting and requires some unpacking at the end, but in practice, at least, I wasn’t thinking about it. Like, I found myself focusing on the moment-to-moment tasks of survival and exploration on the base, figuring out where to go, avoiding enemies, trying to solve the puzzles, etc. The story—your goals—get lost in the micro moments of gameplay. You do have to pay a lot of attention to your surroundings, which ties in with the manual/retro 1970s sci-fi horror aesthetic.
As such, the puzzles were often complex, and sometimes the visual retro film grain effect and/or UI design choices complicated exploration and puzzle-solving, too. For example, I looked up the following in walkthroughs:
• How do you use CAT tool’s infrared scanner module? This was counterintuitive. This module is like a little VHS tape. When you load a VHS tape, you put the tape in the compartment and close the compartment. So that’s what I did. The module didn’t work. I messed with everything I could find on the CAT tool. I re-read the manual, messed with the tool again. Nothing. Turns out you DON’T close the compartment. You…leave it open…to activate it.
• Where do you find the dang server elevator? There is an elevator that you can’t open because it requires a higher security clearance than you have at the time. And there is a server room that you solve a series of puzzles to enter. But I couldn’t connect the two. How do I get the elevator to open? I powered it. I opened the server room. I just don’t have the security clearance. Where do I get that? Turns out that the door to the server room leads to a different elevator, whose buttons are f a i n t l y visible on the lefthand side of the room, gray buttons on gray wall. Lots of people had this problem.
• How do you solve the dang bathroom sink code puzzle? This was legitimately tricky. I thought I figured out the code, but it wouldn’t work. Remember, if text is on two sides of a paper, it’s like a mirror! What’s on the left is on the right when you flip it. Lots of people got stuck on this one too.
And these two, I figured out, but saw that a lot of other people had trouble with:
• Where is the first security terminal? I did everything I was supposed to do on the computer and was prompted to scan the security terminal for level 1 access. Couldn’t find the terminal anywhere. I was about to look it up when I…looked up. For some reason, the security terminal was like 10 feet up on the wall.
• How do you unlock the vents? Early in the game, you have to unlock a vent to crawl through it. The vent has a red light indicating that it’s locked. When you unlock it, either the red light goes away or it turns green, the vent slides open, and you can crawl through. All other vents in the game don’t have any lights or locks like that and they don’t automatically slide open, so it’s understandable that players get stuck the next time they have to enter a vent. You actually have to crawl into it, like press W against the vent, and it’s like a flap that opens. Why have two types of vents?
So that’s Routine. It was interesting. Unique aesthetic. Suspenseful. One good jump scare and one cheap one. But could be tedious, counterintuitive, and frustrating. And the story lost me. Overall, I liked it. Took me just shy of 9 hours, plenty of which was spent lurking through hallways and figuring out puzzles and directions, so it’s not too long. If you like a good sci-fi horror game, especially one that feels a little authentic, cerebral, and challenging, you’ll find something to like here, too.
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Mixtape (PC) by dkirschner (Aug 24th, 2026 at 16:51:40) |
This immediately hooked me, has a great first chunk, kind of lulls for periods through the middle, but regularly surprises with creative segments, wonderful juxtaposition of music (huge licensed soundtrack), visuals (absolutely beautiful), and gameplay, and just a fun and nostalgic story.
The story takes place in the mid-90s and follows three teenagers on their last night together before the main character, Stacey, goes off to NYC to follow her dreams of being a film music supervisor (aka an expert in matching the perfect song to the perfect moment). The other main characters are Slater, an artistic stoner type of guy, and Cassandra, a formerly straight-A student turned rebel, who is also daughter of a local police officer. They've got great rapport together.
So, on their last night together, they plan to attend a big party. You spend the first half of the game trying to find booze to pre-game for the party. Maybe you didn't spend your teenage years full of ennui and/or rebelliousness, trying to get drunk and high and find meaning in your middle-class suburban existence. I didn't, not really, and though I was an angsty teen, I was also enamored with BEING an angsty teen, and collected associated cultural styles and practices, such as performing "the skater" (though I didn't skateboard) and "the pothead" (though I had never smoked pot), being angry about religion, wanting an eyebrow ring like the guys in Korn, and telling people I didn't anticipate living to 30. Wow, David, wow. So, these characters spoke to the teen that I imagined being.
Anyway, finding booze turns out to involve a lot of sitting around in characters' bedrooms talking about how to find booze. In so doing, though, you look at objects in the bedrooms and learn about the three friends. Picking up objects can prompt flashbacks, mostly playable sequences depicting memories they've had together. These range from straightforward cutscenes to really fun segments where you might be skateboarding, breaking and entering into a dinosaur museum (I broke and entered into so many places back then to hang out), trying to rent videos from a Blockbuster while stoned (I used to hang out on top of a Blockbuster, climbing the utility ladder on the back of the store), running from the cops in a shopping cart (my favorite sequence), and so on. Technically, in the main story, not much happens, but there is a lot of reminiscing that enriches the current plot.
Now, the game is called Mixtape. Why? Because Stacey likes to make mixtapes. In fact, she's made a mixtape for their last night together. She's mostly into alternative, grunge, post-punk, shoegaze, that kind of stuff. You'll hear Portishead, Smashing Pumpkins, Silverchair (a fun segment), and a whole lot of stuff I never heard of. She speaks directly to the player, breaking the fourth wall, introducing songs as they begin, giving the player brief lessons in music history from roughly the late-60s through the mid-90s (leaning toward the 80s and 90s). As a hopeful future film music supervisor, this is her passion. And she picks the perfect song for every moment. She has their last night planned out and her mixtape is the soundtrack. Except, the last night doesn't go as planned, and so her mixtape adapts. What you get is like a soundtrack that evolves with the narrative. It's really interesting to think about. What song does she pick in the moment when the night's plans unravel? When she learns about her older sister's legacy? When one friend gets mad at another? How does she use music to make sense of her experiences, to cope with (or construct) emotions and situations?
Given the centrality of music to give form to and shape the narrative, it makes sense that there is some magical realism. Trippy synth tracks might accompany your car floating off the road into the sky; the drum beats of a track might coincide with exploding fireworks that you can orchestrate; and so on. Really creative stuff, and really enjoyed the game. It's not long either, playable in an afternoon. Highly recommend even if you didn't hang out on top of a Blockbuster in your Jncos.
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Slay the Spire 2 (PC) by jp (Aug 23rd, 2026 at 09:46:33) |
Despite the long hours I've put in already, the game feels a lot less like a sequel and a lot more like...an add-on. Which feels like a mean thing to say, but still...
The first, I don't know how many hours, was basically playing the same characters as the first game. It's possible, actually probable, that there are some new cards and that the numbers might be a little different and that sort of thing. But, it feels like the same game in the fundamentals.
That would be the summary of my experience until I unlocked everything. And now, with more hours in and that sort of thing, I still feel like it's not quite a sequel even if the experience does feel somewhat different - mostly from some of the new (to me?) artifacts and how they interact.
I'll be fair, the new characters are fun and different and I've enjoyed messing around with them...but the game still feels the same? And this isn't a bad thing - I mean, I really enjoyed playing the first one for sure....
I guess there's no reason to go back to it at this point?
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2323 registered gamers and 3378 games. 7917 GameLogs with 13418 journal entries. 5122 games are currently being played.
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Death Jr. (PSP) by lucem_ferre |
| A few minor issues, but awesome overall. |
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most recent entry: Tuesday 15 January, 2008
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GAMEPLAY
So this pretty much made the brain-deadness after my work shift go away, especially when my pistols got uploaded to a shotgun that makes even bigger splatters. I’m enjoying it a lot, and I think it’s due to two main things; the self-parodying humor, and the near-melee battles that force you to button-mash. Only it’s strategic, to a certain extent. After unloading a round into a wall, the resulting explosion collapsed the ground and dropped DJ into a whole underground cavern with sparkly useful things. It’s rockin’.
DESIGN
While the gloom definitely adds to the Halloween-style atmosphere, at times it also sacrifices visibility. The landscape itself is wonderfully varied, allowing you to use tipped-over cars or giant bones as cover, requiring some skill to balance across walls to reach treasures, or letting you trick demons into falling into the lava. Useful items are just common enough to keep you from dying of enemy-fireball-overload, but not to the point of making it too easy. The soul of every enemy you kill is automatically collected by DJ and then used to open supernatural doors — giving you some purpose for killing things rather than just because the bloodspots look pretty.
Giving grades based on how you performed during the level for certain criteria (killings, combos, etc) isn’t exactly innovative, but here you receive it in the form of a report card. (Did I mention that DJ got sent to kiddies’ military school?) One of the categories is ‘Destruction.’ YES.
As for things like artwork and music, both are quirky and cute in a dead-babies kind of way. Overall, a potentially silly plot for little kids is made awesome through morbid humor, violence, and just fun irreverence; except for a few irritating little things like camera angles, I’m loving it. Totally worth the ten bucks I paid for it down at Streetlight, and more.
I’m thinking that it’s the games that don’t take themselves too seriously, and also force you to think on your feet, that are the most fun. Did I mention you can blow stuff up?
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