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Fallout 4 (PS4) by jp (Oct 26th, 2026 at 15:08:51) |
Made it to level 9, did a few more quests and...yeah, I think I'm tired now. Strangely, it feels like there isn't much/enough story for me to continue to want to play, and I got a bit tired of always being under-health? Well, that got a bit better because I "discovered" (figured out) the cooking part of the game - I was finally able to put all these animal/critter parts and learned that lots of the stuff you cook then gets rid of the rads (all the food items I had healed, but also added rads - and I didn't have a way to mitigate that, so it seemed like a negative downward spiral). The no-rads healing food was really a game changer in that way, so that was a big improvement.
Oh, every now and then there's a weird storm - and it was a super cool experience - it sounds and looks incredible and I was genuinely worried...rads going up, lightning noises and stuff. Great ambience!
Maybe I should have gotten to the city I was supposed to visit for the story...but Ilooked at the shelf of over games to play and though..meh.
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Persona 5 (PS4) by jp (Oct 26th, 2026 at 15:01:25) |
This is probably the lamest log I'll write for a game - but I just wanted to document my experience, even when it did not involve playing the game.
I out the disc in, it starts reading and then shows the name of the game in Japanese/Chinese. Huh, that's weird. It happens around the same time I see a little popup notification that an update has been downloaded. Weird, whatever, it should be fine.
I load the game, watch the intro - looks fun. And then I get a UI alert. It's in Japanese/Chinese... weird. I get past that...and get to the game's main menu. Everything is in English. Oh, nice! But I go into the config menu...and oops, it's all in Japanese/Chinese again...and I try toggling things to see if I can switch language to English. No luck.
I go online, "why did my game switch to another language". Everyone says to set the console region language to what I want, and that the game should change. It's already in English. No luck. I try a bunch of things...still no luck.
I look at the game case. Maybe this was a European version of the game and the language got borked somehow. Nope. ESRB rating, so it's US.
I pop the disc, to try a re-install and stuff. The disc is all in English..but it does say "MADE IN JAPAN FOR HOME USE ONLY". I wonder if the disc is Japanese? (in a US case, weird).
It also has a code.. PLAS 05251.
Online sleuthing reveals it's a Chinese disc.
Whut? Sigh. I guess someone duped Gamestop and now...me.
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Crime O'Clock (NSW) by jp (Oct 22nd, 2026 at 08:43:00) |
I'm putting this back no the shelf now - mostly because I started to get a little tired of it. As I think about it, it's abit of a tricky design space and I can see how the design team was trying to keep things fresh and mix things up. They've added a little mechanic where you can tap on some objects that get highlighted to see what's inside. THere's also a "follow the musical pattern" in which you click on things on the map in the right order...following a musical script.
It's all "ok" - not particularly compelling, but I've started to get tired because the also isn't much I find interesting in the story. Each mission feels like "oh, here's a thing that happened, let's fix it" but the characters and the world aren't that compelling, and while there are neat things in the images - they're not really woven into the storytelling. So, I don't feel like I'm learning cool things about this weird/interesting world from the missions themselves - at most I pick things up from the artwork. It's a weird "miss" - because the artwork is super fun and neat to explore, there's cool details and characters - but it falls flat after that.
Also, playing on the Switch is more annoying than it should - I feel the controls are really imprecise - I need to move the cursor to a specific location and I overshoot/undershoot tweak and adjust and it's just...annoying.
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Kill Knight (PC) by dkirschner (Oct 18th, 2026 at 15:28:37) |
Retiring this one too. It's a twin-stick shooter / bullet hell type of thing mixed with modern Doom. Slick, for sure, but I didn't know it would be so arcade-y. There's not much story to speak of, and it's basically a test of mastering the controls to beat, with additional motivation provided by leaderboards. It is fun, intense, for sure, but as with Civ 6 and Noita (although Kill Knight isn't long per se), I don't have the patience right now to commit to it. I might be at a point where I'm exhausted by more open-ended or twitch-based games. I could feel it with Drop Duchy (roguelite fatigue?), which I saw through to the end, but perhaps I should find something more story-heavy with a clearly defined ending for next.
Anyway, like I said, Kill Knight is slick. The controls gel really well. You use RT to shoot pistols, circle to melee attack, and LT to shoot like a shotgun spread. All the attacks synergize in different ways. You have to use melee to get shotgun ammo, for example, which incentivizes running up and slicing enemies. Each attack generates some kind of resource that you need for other attacks (or health, very important!), so you have to vary attacks. It really does feel like a twin stick shooter / bullet hell version of the newer Doom games. I think that's about it...
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Noita (PC) by dkirschner (Oct 18th, 2026 at 15:12:28) |
My first thought was "this is like Spelunky." And of course it is because it's another roguelike where you go down, down, down into the depths, and the only way you get better is to die a hundred times, learn what killed you and why, and just skill up. Also learning the wand system, which is one of the two things that make this stand apart. The other is the pixelated destructible environments.
There are huuuuuundreds of enemies, spells, and perks. I saw like 5% of stuff and made it to the third "biome" a few times. In my longer runs, I had cool wands and spells, like spells that made my projectiles home or explode or that covered a wide range. The way it works is that each wand you find has stats (which seem to just randomly vary), including some number of spell slots. You can find/purchase spells, and you can move them around between wands. This means you can load up your favorite wand with a variety of useful/synergistic spells that'll help you kill enemies, move around, and explore the biomes. Perks are also helpful, like ones that make you immune to certain elements or that give you a little ghost companion to augment your damage output.
The destructible environments are cool. Each pixel is categorized as a type of material (e.g., wood, water, coal, gunpowder...), and they have various interactions. Wood burns, for example, so if you shoot a lantern and it falls on wood, it'll light up and maybe collapse. If you're on fire, go find water to put yourself out. I don't know what "blood" does, but I saw that it ticks up to 100% as you stand in it. Acid poisons you. Occasionally stuff blew up and I wasn't sure why. I'm sure there are a lot more interactions. It reminded me of Divinity: Original Sin 2's elemental combat system.
Anyway, so what this looks like while playing is that you're zooming around (you have a jetpack and can float a bit; this replaces a typical game's jump), firing spells and getting fired at by enemies, blowing up the environment, trying to get gold (to purchase wands and spells), find secrets, do whatever, and ultimately get to the bottom of the biome, where you enter a portal and can buy upgrades and rearrange your spells, and then you go to the next biome. There is often a lot of fire/poison/projectiles/etc. on screen at once and it can feel pretty hectic.
I certainly appreciate the game and the ways that it makes something like Spelunky 2 feel traditional. There's a ton of customization with the wands, strategy in manipulating the environment, and so many things to discover. But having recently bashed my head against the Spelunky 2 roguelike wall for a while, I realize I have little interest in a similar head-bashing-against-the-wall experience playing Noita.
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Dead Space 3 (PC) by dkirschner |
| Big dumb sometimes fun. |
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most recent entry: Friday 2 October, 2015
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I enjoyed this overall. Like I said earlier, it’s big dumb fun, sort of like Jurassic World. But I tell you what, they tried hard to wreck it in the second half. There is a love triangle. It is cringe-worthy. Ellie, whom I think is Isaac’s love interest from the other games, is now with some other hardened military guy. Let’s call him Jerkface, because that’s his entire contribution to the game, being a jerkface. If Ellie looks at you, he expresses jealousy. He walks past you and bumps into your shoulder a few times. He yells at Ellie for talking to you. He clearly wants you dead. But Ellie, poor, helpless female stereotype that she is, can’t help batting her eye-shadowed eyes at you and hugging you after every close encounter. Jerkface really does not like this and eventually does try and kill you, but, and this really isn’t a spoiler because jerks always die in games, you kill him first. You would expect Ellie to accept this, but apparently she loved him a lot more than it looked like, and she spends 10 minutes being very angry at you. “How could you, Isaac?!” Even though he tried to murder you and sabotage the entire mission. It doesn’t matter. She’s mad, dammit! Then after she’s been sufficiently and stereotypically emotional about it, she warms back up to you and you’re her hero and savior again.
The second way the game tried to implode is by forcing you to complete insidious rock-climbing and rappelling sequences. There was one early in the game that was fine, but there are like 7 of these in the last handful of chapters. I cannot convey how frustrating these were. On one in particular, I died more times than any other part in the game. The most challenging of challenges in Dead Space 3 should not lie in a rock-climbing segment where you dodge some falling shit. But my god, I could not get past it for the life of me. Even after searching forums and watching 3 let’s plays, I still had trouble! The problem was one little part. You are climbing up this cliff side. A giant rock falls. Stasis it and jump to the left. No problem. Another giant rock starts to fall. At the same elevation is an elevator lift swinging from left to right. Stasis both of them and wait for the rock to fall. Avoid the rock. Not much problem. But the elevator. Grr. You have to stasis it when it hits the left wall. Then you have to walk over to a vertical gap and jump across to the right side, while the elevator is still in stasis, and continue your ascent. First, and this was stupid about the rocks too, if you so much as touch, even come within a foot, of the elevator, you die. Why can’t Isaac touch the elevator? Since when does touching a rock or an elevator—in stasis!—mean instant death? Second, Isaac refuses to make the seemingly obvious jump across the gap. Like 50 times I did this. I literally almost quit the game. You walk as far right as you can. You jump. He doesn’t make it and does this crazy grunt/flail/swing back to the left thing, inevitably gets too close to the elevator, which is still in stasis, and dies. I tried jumping from all verticalities. I tried running starts. I put the elevator in stasis every way I could think of. Dead. Deader. Deadest. After numerous forums and let’s plays, and more trying, he finally…just did it. I swear I didn’t do anything different. Haha, I’m mad just writing about it! What a waste of time!
Aaaaaanyway. Long story short, the game thankfully ends. The end was fine. The third wheel character does a stupid thing and gives the bad guy (who was a weak bad guy and impossibly survived and flew his space ship inside and alien and everywhere else you go) the codex to save Ellie, which Isaac wasn’t going to do (lol), though he constantly had stupid monologues about Ellie, even as the world is exploding and he’s fighting the final boss. Yo Isaac, forget about your love interest for five seconds. No one cares! But I’m glad that happened instead of giving Isaac the choice to either destroy the necromorphs or to let them free. The story and dialogue was leading up to that choice, but then they didn’t give it to you. It would have been exceedingly dumb if they had. Oh, and surprise, because it’s EA, this franchise can go on and on and on and on and on forever because apparently even a giant moon explosion and floating in space forever can’t kill engineer Isaac. Meanwhile, Ellie is crying, in a tank top with cleavage. What a terrible stereotype.
Does it sound like I hated this game? I didn’t. But I don’t recommend it.
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